Category archives: Reviews

  • The Dude Abides

  • It’s beautifully arranged. Dude’s album Kid Gloves--I mean. Plug ‘smartly’ in for ‘beautifully’ and the message stays the same. Tony DeNardo (the Dude/the Muggs) has tapped into a special pocket of sound. The album heads back a few decades in its production, building around a core of songs and plugging in horns and mellotron for purpose of flair. Enhanced by the production, the songs flaunt the[...]
  • Show Review: ICP @ The Emerald Theater

  • Last weekend, we sent MCR cub reporter Max Daley to cover The Wicked Carnival known as the Insane Clown Posse at The Emerald Theater. Max hits the skins in The Phantom Cats, a band whose music and shows are about as far removed from the juggalo subculture as you can get. Here is the account of Max's trial by fire: “What can I expect tonight? This is my first I.C.P. concert.” I asked Cindy and Lex[...]
  • Review: The History of Panic-Fight! Fight! Fight!

  • Fight! Fight! Fight! is a title not meant to actually condone fisticuffs but rather a call to listen to electro-pop music. Its the first release from The History of Panic and the album itself has been sometime in the making. Gerald Roesser (formerly of Pas/Cal) started the project in 1999, however he spent 10 years training with Yoda on Dagobah and then two years just making a ton of sandwiches fo[...]
  • Corporate Round-Up #1

  • Each week, we pour over the numerous decisions corporations have made and single out two for praise or ridicule. Our rating system is simple, either the decision was "rad" or "fucked". No middle ground at MCR. RAD Broadband service providers who stand up for customers. Just weeks after Verizon successfully argued they shouldn't have to hand over customer IP's, Comcast scores a similar victory. [...]
  • Gay Play Series begins at Ringwald tonight with Making Porn

  • Joe Bailey watches from the lighting booth. “Ok…so we’re going to let it play till about…a minute-fifty,” he explains, “Just start out in the chair and let the music work in until it’s like you have to move.” On stage Jeffrey Howson is at his mark. Tenuously he sits in a chair; Mary J. Blige pulsing through the air and into his body. He timidly and then confidently glides. Finally it overtak[...]